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STEPHEN WILTSHIRE CLUB

Browse the ARCHIVE of articles dating from 1987, view unseen video footage or find a photo in the image library. Order open or limited edition prints and receive newsletters on public events and new releases. Exclusive content for members.

 

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Testimonials

Hi my name is Danny. I am not an artist like you. I am just a fan. I just want to say that your paintings are the most fenomenal paintings iI ever seen. Are you comming too sweden to paint ? I live in Stockholm I wonder if you have painted anything of my hometown. All the best to you.(Danny) READ ON...

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Visit my Archive Vista de lince, memoria de elefante

Vista de lince, memoria de elefante

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My story My bestseller books My past and future exhibitions all around the world My documentaries and TV appearances My virtual gallery My prints, calendars and gifts for sale My originals artworks for sale Contact me, the gallery or my agent

 

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Up through the ancient, scary stairs of Tower Bridge, Stephen finally reaches the top where he captures the view in his sketchbook in a hurry with an ordinary HB pencil.

 

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Tokyo Project (Nippon TV)

Tokyo Project (Nippon TV)

 

 

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The drawings are not exact copies. Like any good artist he adds his own style and it is impressive. When you look at the pictures on his site you can clearly see that he is an artist with an incredible memory and eye for detail.(ArtTrouble) READ ON...

 

Early life

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Stephen WiltshireWhen he started at school at the age of four years he was totally withdrawn and almost mute. He seemed unaware of other people, made no eye contact and roamed about aimlessly making sudden dashed to other rooms where we would stare intently at pictures which fascinated him and bolt back to his class room. He showed no interest in any of the activities going on around him in his classroom. He would co-operate in a mechanical way when his teacher worked with him individually, but the moment his teacher moved away, Stephen would start his lonely pacing, or find paper and pencil and scribble, totally absorbed for long periods. Many of is drawings, as a result, are on scraps of paper.

The teachers who work with these complex children are skilled at making good use of whatever the child offers and Stephen's one interest was clear. Step by step Stephen was encouraged to draw and to use his drawings as a way to communicate something of his inner world. The speech therapist and teacher worked closely together in helping Stephen master the words that he needed most and was rewarded when one day Stephen said "Paper?" Word by word, and over a long period of time, Stephen began to build up his vocabulary. He was encouraged to talk about his pictures and began to take pleasure in his growing skill. His drawings improved rapidly and he experimented with a wide range of materials and techniques, startling us one day with a series of wickedly accurate caricatures of members of staff, and laughing very loudly at the effect they produced... Lorraine Cole, Headmistress of the school Stephen attended during 1978 to 1987.

 

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