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STEPHEN WILTSHIRE CLUB

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After I have seen a report on the german television 3sat yesterday, I have just found your website. I am sold on your pictures and speechless. These are definately the nicest pictures I have ever seen. Until now I was a very big fan of Edward Hopper. Now I am YOUR biggest fan!!!(Michael) READ ON...

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Following its centenary celebration at the Ritz Hotel The Institution of Structural Engineers launched a vote on the favourite structure on Stephen`s cityscape.

 

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i saw this guy on tv once and still tell my students about him. they are always dazzled. this summer, he inspired one of my students to say `i wish i was an artistic savant.` AUtistic, i corrected her. `what?` he`s AUtistic. `oh,` she stumbled, `right. me too.` of course, steven`s an artistic savant also.(Illustration Friday) READ ON...

 

Drawings

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Stephen Wiltshire: Drawings (Dent, 1987)In February 1987 the BBC's QED series broadcast a programme called "The Foolish Wise Ones" which studied the effects of autism, that tragic affliction which leaves its sufferers with a perceived mental age of a child and, to all intents and purposes, cut off from the world. However, as the programme proved brilliantly, autistic people are often able to express themselves in a manner which leaves 'normal' people amazed at their talent.

Stephen Wiltshire, then eleven years old, was shown producing from memory drawings of London buildings, which moved Sir Hugh Casson to judge him 'a wonderfully natural draughtsman, really spectacularly good'. Doctors the world over are unable to explain why people like Stephen have such talents, but he has proved why we must accept his unique gifts at face value. The QED programme profoundly stirred its audience and hundreds of letters poured in from viewers eagerly seeking to buy a Stephen Wiltshire drawing. Stephen's trustees have decided not to dispose of any originals but rather have granted Dent permission to publish his extraordinary and moving volume which not only contains some of the finest freehand drawings of a brilliant artist, but also produces a powerful argument for re-thinking our policy regarding the 'mentally handicapped'.

'His sense of perspective seems to be faultless... I have never seen in all my competition drawing such a talent, such natural and extraordinary talent that this child seems to have... [Stephen] is possibly the best child artist in Britain.' (Sir Hugh Casson)

 

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